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It is said that the gods created dance
as a device for entertainment. Later, in order to please the gods, human beings
enacted the tale and glory of the gods. Thus began a cycle of celebration manifested
in the joyous abandon of movement and music. Over a period of two millennia, dance
in India acquired a set grammar, which led to a certain codification of technique.
Thus were sown the seeds for Bharata Muni's celebrated treatise on dance, the
NATYA SHASTRA. Bharata's Natya Shastra (believed to be penned between second
century B.C. and second century A.D.) is the earliest available treatise on dramaturgy.
All forms of Indian classical dances owe allegiance to Natya Shastra, regarded
as the fifth Veda. The fascination for Indian dance all over the world is indicative of the deep-felt needs to use the human body to express and celebrate the great universal truths. Indian dance does just that in a heightened, reverential form. Also, since dance is physical and visual, it illuminates India's culture in a direct manner, playing on the sensibilities of the onlooker. Thus, those who are attracted to India will find the idiom of dance the best introduction to India's rich ethos and traditions. |
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